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↓_ A Note on this Publication _↓
.fill indent 4 
	 This book is probably the first book on
music ever typeset by completely computerized means.  The master sheets were prepared
at the Stanford University Center for Computer Research in Music and Acoustics
using the Digital Equipment Corporation KL10 computer system of the 
Stanford Artificial Intelligence Project.
The main text was assembled by means of a typesetting program called PUB.
The principal typeface used is a revised Meteor font.  

	All the musical examples and analytical diagrams were prepared by the
MS music typesetting program developed by this author over the past few
years.  This program allows the rapid preparation of all conventional musical
material as well as the possibility of the creation of a wide variety of special
symbols.  The master sheets were
printed at double size on a Varian %2Statos%1 electrostatic plotting device.
These sheets were then photo-reduced for standard lithographic printing.

	The programs used for this publication were developed by many people but
the author wishes to give special thanks to a few whose contributions were
outstanding.  These include Lester Earnest, Martin Frost, Hans Moravec, and
Clement Smith.
 
.indent 32
	Leland Smith, August 1979
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↓_ Table of Contents _↓
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Chapter →Page

I\Introduction→1

II\Diatonic Functions→8
\\Scales and Tonality
\\Harmonic Functions
\\Substitute Functions

III\Simple Secondary Functions→29
\\Functional and Non-functional Chromaticism
\\Pivot Chords

IV\Functions of the Minor→40
\\Major-minor Interchangeability
\\Augmented Sixth and other Chromatic Chords

V\Extended Tonicization→56
\\Added Levels of Tonic Function
\\Pivotal Tonics
\\Control Tonics

VI\Alternating Progressions and Indirect Relationships→71
\\Simultaneous Functions

VII\Modulation→88
\\Movements of Basic Tonics

VIII\Summary of Procedures→102
\\Six General Steps

IX\The Complete Musical Movement: Mozart→107

X\The Complete Musical Movement: Wagner→129

XI\Tonal Dissolution:  Conclusion→149
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↓_Portions of the following works are analyzed in the text:_↓
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Bach, J. S.\\\Chorales (from 371 Four-Part Chorales)
\\\#106 - p.33;  #50 - p.35;  #6 - p.36;  #85 - p.37;
\\\#28 - p.42
\\\Partita #5, in G - p.23;  Invention #4, in d - p.66

Beethoven\\\Sonata in d, Op.31,#2 - p.19
\\\Diabelli Variations, Op.120 - p.81

Berlioz\\\Fantastic Symphony - p.77

Brahms\\\Romance, Op.118,#5 - p.21

Chopin\\\Mazurka, Op.59,#3 - p.72

Debussy\\\Prelude I for Piano - p.163
\\\Prelude II for Piano - p.164

Dvorak\\\New World Symphony - p.79

Haydn\\\Sonata in E - p.32

Mozart\\\Sonata in F, K.189e(280) - p.12
\\\Sonata in A, K.300i(331) - p.22
\\\Sonata in a, K.300d(310) - p.31
\\\Sonata in E%4F%1, K.189g(282) - p.32
\\\Sonata in D, K.576 - p.64
\\\Sonata in A, K.300i(331) - p.89,92
\\\*Sonata in D, K.205b(284) - p.94
\\\*Sonata in F, K.300k(332) - p.96
\\\*Sonata in C, K.189d(279) - p.98
\\\Sonata in F, K.553 - p.30,107

Musorgsky\\\Boris Godounov - p.152

Schoenberg\\\Kammersymphonie, Op.9 - p.164
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Schubert\\\Sonata in B%4F%1 - p.25
\\\Meeres Stille, Op.3,#2 - p.45
\\\Sonata in A - p.51
\\\Quintet in C, Op.163 - p.74
\\\*Quintet in C, Op.163 - p.99

Wagner\\\*Tristan und Isolde - p.129
\\\Parsifal - p.157

_________________
The (*) indicates that the music is not provided in the text.